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When Lena Dunham moved to London in 2021, she had given up on love. “The rest of my life is just going to be about my family and my animals and my job,” she remembered telling herself.
If you have seen Dunham’s previous work, which often skews anti-romantic, this will make a special kind of sense. In the six-season HBO series “Girls,” a generation-defining traumedy, Dunham, a writer, director and occasional actor, viewed love with a conjunctival eye — itchy, gritty, irritated.
But love had not given up on Dunham. Just after her move, she met the musician Luis Felber. She didn’t anticipate anything serious. “I was seeing it as fleeting — it’s fun to hang out with a boy during the pandemic,” Dunham said on a stupidly beautiful June morning in New York. She was wrong. By the fall of that year, they were married.
Soon, there were reports that Dunham and Felber were developing a show based on their relationship. That 10-episode show, “Too Much,” arrives on Netflix on July 10.
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Is “Too Much” a romantic comedy? Yes. Is it inspired by Lena’s own story? Sure. But “Too Much” wants more — inclusivity, expansiveness, a reconsideration of the love stories we tell and about whom we tell them.
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